Key: c# minor The requirements are listed below: Lyrical & Technical Etude - Students must perform both the lyrical and technical etudes for their grade level and instrument. Errata: Errata: the grace notes in m. 2, m. 4, m. 6, m. 14, 16, etc. The trills , turns and grace note patterns should be used early in the learning process -including those in bars 8, 10, 12, 23, and 42. Five ensembles are selected from recorded auditions: a Middle School String Orchestra, a Middle School Band, a High School Full Orchestra, a High School Band and a High School Jazz Ensemble. (revised 8/28/2020). Performance Guide: One of the big challenges of this etude is to keep a steady pulse while switching between different subdivisions as well as adding ornamental figures. Etude Title: G Minor - Lento m. 26, beat 2, the last thirty-second note should also be an A natural Errata: the grace notes in m. 2, m. 4, m. 6, m. 14, 16, etc. When and where to breathe is up to the individual player. Auditions are held at Houston County High School near Warner Robbins, GA. 1, no.13, HWV 371. Similar dynamics to the beginning may be added to mm. 2 and 36 takes the same amount of time as four sixteenth notes and that the thirty-second note triplets in mm. In measures 12 and 44, subdivide carefully: don’t rush! While the marking “Marcia” implies both a march tempo and style, the actual inflections suggest a playful, slightly detached lyricism. The F# to G# trill in m. 41 is easily done by holding the G# key down with the F# and trilling the F# key. Key: F# Minor Fast wind should always be present behind the tongue so that the tongue can move as minimally as possible. Errata: Edition: EA 764 0-913574-96-1 This etude MUST be played on only three drums. Using a clipped return tongue technique with a “tut, or cut” syllable will enhance the clarity of articulation particularly in bars 4, 13, 14 and 37. Etude Selector Video Performance Guide, Etude Title: No. Tongue all notes. VBODA District II. Performance Guide: This etude should be performed in a beautiful cantabile style. Book Title: Selected Studies for Oboe The accents should be dry with slight decay m. 35, etc (the low C’s are not the focal point of this section). The end product must be musically convincing as well as technically impressive. If any of our students are interested in auditioning for this group, information and the permission form are contained in the letter linked below. If done correctly, the player’s technique will flow smoothly even in these difficult passages. You should be practicing early and often. Tempo: Quarter Note = 92–104. Etude Title: Andantino (in 6) Performance Guide: Etude Title: No. Key: C Minor In m. 19, 20, 23, and 24, be sure to play the C with your left hand pinky. Number your measures carefully, as there are partial measures across some lines. 47-50 should slow down gradually). The piece requires careful attention to weight differential between the weighted, emphasized accents and the lighter, crisper staccato markings. 9-16 may even be excellent “mini-etudes” to add to your daily practice and gauge your progress in developing strong phrasing and excellent legato in this range. Tempo: Quarter Note = 58–66. Tempo: Quarter Note = 104–126, Errata: Page(s): 29 This especially applies to the section of mm. The portato notes in m. 60 and m. 64 should not be over-tongued. Think of it as though you were singing and use the horn as your voice. m. 32 beat 4 add pianissimo (so it's a beat earlier than printed) Most non-pianists are unfamiliar with the Mazurka style, and it may be beneficial throughout your preparation to watch and/or listen to recordings of the many Mazurkas for solo piano by the Polish-French composer Frederic Chopin to help learn and master the style. To build the range, flexibility, and technique that will be necessary for this etude, it is highly recommended that you begin daily practice of two- or three-octave D major and B minor scales and arpeggios. Tempo: Quarter note 112–120, Errata: m. 20- C# is up the octave Performance Guide: This étude by Duhem should be performed in a very singing style with much expression. Tempo: Eighth Note = 120–138. See the timeline below for time sensitive details. Begin your practice with your metronome set to quarter notes at a slow tempo that allows you to play cleanly, then gradually speed up to feel it in one dotted half per measure. It is also a good idea to sing the melody while conducting. Add slur from last note of 15 (A) to the first note of 16 (A#). This beautiful etude gives you the opportunity to express yourself with a full range of dynamics and to demonstrate your control by tapering notes at the ends of phrases. Do not transpose to Eb Horn. Performance Guide: The final three eighth notes of ms. 9, the final two eighths of ms. 10, and the downbeat of ms. 11 require melodic tuning on a single drum—that is, each of these pitches is played on the 26" drum. In scale passages remember to adjust your half holes for adjacent F-sharp and G-sharp, using a larger opening for F-sharp and smaller opening for G-sharp, and flick as many A-naturals as possible, taking care to close your half hole completely to avoid distortion. In general, I recommend the 32", 29" and 26" drums. Performance Guide: Key: E Minor One simple way to accomplish this is by following the melodic contour with dynamics but be tasteful since it can be nauseating if overdone. Performance Guide: ILMEA Scale Sheet In m. 25, beat 2, the last thirty- Do not get too short or clipped on the staccato notes. 18 Page(s): 36-37 However, a careful consideration should be given to the choice of Bb/A# fingerings. The ornaments should all occur before the beat and be played quickly while remaining elegant and clear. Use the fermata at the end of m. 37 to regroup and take a replenishing breath. Key: Bb Minor Errata: For Gb in m. 19, 20, and beat 2 of 24, you will need to ‘flop’ the fingering between your RH index finger and middle finger. **2020-2021 Complete Etude Listing: Required Etudes (Cycle Set 2) 2021-2022 Complete Etude Listing: Required Etudes (Cycle Set 3) 2022-2023 Complete Etude Listing: Required Etudes (Cycle Set 1) 2. Breathe on a tie as in mm. It is helpful to practice long tones daily on all of the final notes of phrases. Page(s): 8 Performance Guide: Key: Treat the trill in measure 12 as a single upper neighbor and play the beautiful melismatic run that follows with some flexibility. ), and controlling your personal trombone skills throughout. District Band Event. I suggest breaking the slur after the downbeat C in measure 62 for a breath. Tempo: Quarter Note = 88–96. Tempo: Eighth Note = 76–88, Errata: Errata will not be posted in the Southwestern Musician magazine. Etude Title: No. Ben eguale- very equal Editor: H. Voxman Start a new slur on the dotted 1/8 note that only slurs the dotted 1/8 note to the 1/16 note. Contra bass clarinets play from the second beat of measure 40 to the end of measure 42 one octave lower. This etude is a bit of a roller coaster ride. Welcome to the USC All-State Band Recording Project. Performance Guide: Measure 38 is a cadenza. With nearly every phrase (and often every part of a phrase) in this etude starting off the beat, this error can compound into a frantic-sounding mess. 107 / 3 Follow the “landscape” or direction of the notes to create musical and dynamic shaping. M. 37 will have a subtle ritard to set up a breath to start the “a tempo”. This etude allows the performer to demonstrate the specific skill of beginning a phrase on an upbeat, which is particularly problematic for many tuba players (and especially in this register). Generally, heads should be dampened when followed by an unrolled dotted-eighth or longer note on another drum; however, do not over-dampen. Etude Title: No. In measures 8, 24, and 26, the fortissimos should be on the 4th beat of the measure, Etude Selector Video Performance Guide, Etude Title: No. It is intense energy with lots of musical shaping. Do not play the dotted eighth notes short, if Gatti had wanted this he would not have written the rhythm as eighth, sixteenth rest, sixteenth note later in this étude after we conclude. Audition requirements are a prepared etude, a memorized scale or rudiment sheet and sight-reading. Page(s): 9 Etude Selector Video Performance Guide, Etude Title: XV Although the time signature is 3/2, it will be easier to think in quarter notes (six to the measure) in order to play the different types of divisions of the beat accurately, with the correct proportions of eighth notes, sixteenth notes, and thirty-second notes. You will have 30 seconds to study over each 8-12 bar musical excerpt and then perform the excerpt to the best of your ability. Key: Blow out and breathe in during the rests in mm. Beginning to measure 17 – Quarter note = 174-182 Friedrich August Belcke (1795–1874) was a celebrated trombonist in Berlin in the 19th century. In m. 22 follow the allargando direction and pull the tempo back slightly, creating space for the three grace notes to be placed before beat one of the following measure. Of Music flow better with your whisper Key down and a small group of Band dating... Friday, January 4 through Friday, January 4 through Friday, January 4 through Friday, 6! 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